Hecuba - CRIME

Added on by Devin McNulty.

HECUBA – CRIME a collaboration with John Knuth.

BRET NICELY – A Sculpture made alongside, but unconnected to, millions of tiny acts.

Sunday, Oct 27, 2013 7:00 pm start time.

Special Performance: HECUBA - CRIME

The LOCATION of Crime will be Human Resources, Los Angeles.

The SPACE of Crime will be John Knuth Fading Horizon

The LENGTH of Crime will be its natural duration.

The STIMULUS of Crime will be heat, light, sound, smell, smoke, people and Fading Horizon.

The SOUND of Crime will be created with digital and analog electronic instruments and human voices.

The PEOPLE of Crime will be Hecuba, John Knuth, Lita Albuquerque, Mecca Vazie Andrews, Diaz, Dawn Kasper, Johanna Kozma, Sarah Rara, and Ami Sioux.

The ACTION of Crime is undetermined.
BRET NICELY – A Sculpture re-made alongside, but unconnected to, millions of tiny acts.

A performance lecture on possible futures for art. 

John Knuth: Fading Horizon

Added on by Devin McNulty.

 

Oct 17 – Oct 27, 2013

Opening Reception: 
Thursday, Oct 17, 7:00 – 10:00 pm

Gallery Hours: 
Saturday and Sunday, 12:00 pm – 5:00 pm and by appointment

Special closing performance with HECUBA and Bret Nicely Sunday Oct. 27 starting at 7 pm

Human Resources is pleased to announce a new show by John Knuth: Fading Horizon. This all-encompassing installation will utilize 1,000 pounds of sugar, light bulbs and Mylar thermo blankets.

The floor of the gallery will be covered with Mylar thermo blankets, light bulbs and mounds of sugar. As the light bulbs heat the sugar, the sugar caramelizes and creates small volcanoes which mark the blankets underneath. The gallery fills with sweet smelling smoke that is at first enticing but soon becomes overwhelming. Eventually the blankets are hung on the walls, displaying the minimal abstract compositions left behind by the carmelized sugar. These compositions change over time as the material slowly drips down the blankets and on to the floor.

Fading Horizon is a commanding fusion of material, sculpture, painting and installation work, which evokes ideas of climate change and entropy. Knuth is inspired by sugar as a material with infinite sculptural possibilities. It can be diluted in water, crystalized, eaten, caramelized or molded into forms. The pure white color of sugar gives the sense of a blank canvas with the deep brown caramel rivulets providing a stark contrast. The show explores the idea of chance, uncertainty and change as an amorphous, transcendent place.

John Knuth’s work engages base level alchemy. He often employs simple materials that transcend their base quality. He has fed hundreds of thousands of houseflies paint, which they regurgitate on to canvas to make delicate abstract compositions. His work explores the physical quality and poetic meaning of materials. 

John Knuth has most recently exhibited his work in a solo show at SOD Gallery in Copenhagen, Denmark. His fly paintings were featured in a video entitled "Made in Los Angeles" on MOCAtv which quickly went viral and was picked up by the Huffington Post, BoingBoing.net, Gizmodo.com, Wired, among other news outlets. He has shown work at Another Year in LA, International Art Objects, Greene Exhibitions, The Santa Monica Museum of Art, LACMA, LACE and Cohen Gallery in Los Angeles, and Land of Tomorrow in Louisville, KY. He has show internationally in Denmark, Germany, Iceland, Sweden and England. Knuth was born in 1978 in Minneapolis, MN and received an MFA from USC and a BFA from the University of Minnesota.

Friday, Saturday, Sunday - Base: Session I concludes

Added on by Devin McNulty.

http://basesessions.org/session1

Niv Acosta
Gina Dell’Amico
Nick Duran
Lauren Davis Fisher
Madeline Hollander
Arley Marks
Temra Pavlovic
Mårten Spångberg
Sylvie Spencer

Session I is a choreography of spaces.

All architecture is impermanent. All human spaces are constructed. Some walls are meant to conceal.

Structured space dictates human flow; it is a choreographic force.

A sewing factory; a cinema; a corral; an arena; a cell; a corridor, the Beverly Hills Hotel.

HUMAN RESOURCES, LOS ANGELES
OCTOBER 3 – 13
OPENING RECEPTION OCT 3 6 – 8 PM
EXHIBITION HOURS 10 AM – 10 PM DAILY

BASE is a series of choreography exhibitions.
These Sessions incorporate performance, workshops, video, and material research.

BASE is the curation of choreography which reflects the specific nature of the medium. BASE seeks to construct a viewing experience that promotes the consideration of choreographic works as artworks, but disrupts traditional relationships between viewer and objects, spectator and performer. Choreography implies the intentional construction of relationships of bodies to space, architecture, other bodies, and viewers. BASE explores the multitude of possibilities for a choreography of the viewing experience.

BASE: Session I will be held at Human Resources, Los Angeles, whose mission is to broaden public engagement with experimental, interdisciplinary and conceptual art and foreground underexposed modes of expression. For the duration of the exhibition, artist Lauren Davis Fisher will continuously construct a mobile skeleton structure, dividing the warehouse space into multiple, shifting interiors that will support works from a selection of artists and performers. These modules become evolving organs examining the conscious and unconscious potentialities of the body, performance, and perception.

SEPTEMBER 29: FAULT LINES

Added on by Devin McNulty.

Sunday September 29, 7 PM

Compilation Album Release / Performance / Installation

Performance and video installation “SYMPATHETIC RELEASE” by Barnett Cohen & Jules Gimbrone with select performances by FAULT LINES contributors

Morgan Gerstmar with Madeline Falcone, Emily Call & Betsy Rettig
Molly Allis / Jenica Anderson/Misra Iltus/Hanna Campbell
David Paha
Jules Gimbrone
Aidan Reynolds
Max Wanderman
Odeya Nini
Marcus Rubio with Ben Levinson, Andrew Young, Suzanne Kite, Aidan Reynolds, Evan Spacht, Max Wandermann, Christoffer Schunk, & Josh Joshua Carro
Todd Lerew
Alex Black
Sarah Faith Gottesdiener / Oscar Santos 
Bridget Batch
Jen Hutton

http://packprojects.us/projects/

PACK PROJECTS presents FAULT LINES will contextualize the album, book, and text through performance, video, and installation. 

FAULT LINES started as a desire to cultivate a space where sound becomes a physical presence. By locating artists inside a geological feature of the earth, FAULT LINES encouraged composers to create time-based work that resembles the extreme temporal scales of tectonic plates. Whether these plates appear deeply still or silent, at any moment they can send waves of massive movement and disruption. This buildup of potential energy or stress within a fault line is stored until the strain is released, causing rupture. This latent energy is analogous to the medium of recorded sound, specifically the vinyl LP that holds kinetic energy in its rotation. Although each composer worked independently from Jen Hutton’s text, the pieces are connected by their experimentation in timbre, a textural feature that helps to objectify sounds, and gives differentiation regardless of pitch or loudness. A focus on the physicality of sound textures, and the spaces that these sounds inhabit, appear to dictate the artists’ compositional choices. Often sound is considered an abstract, liminal, and/or transitory medium given meaning through its narrative thrust -- where it takes the listener through a linear, time-based journey. FAULT LINES, however, is an attempt to give sound a physical body, a body where time bends, is held, expands, and is again made solid. - Jules Gimbrone

Sept 25-27 Geo Wyeth: Kitchen Steve in S&M

Added on by Devin McNulty.

A new angle on Geo Wyeth's Kitchen Steve project

The world of Kitchen Steve, a musician and exhibitionist, expressed through song and various objects and video in a full scale installation. Steve and his bandmate Joanne starring in a new musical by Steve and Joanne. Steve on keyboards and vocals and roller skates. Please come inside!

SEPT 25-27th 2 PM -6 PM daytime gallery hours for viewing video 

SEPT 27th 8 PM -- performance 8pm

$5 SUGGESTED DONATION TO HELP SUPPORT THE ARTIST

September 21: Art Action Event

Added on by Devin McNulty.

Saturday, September 21st 7:30 PM 

"Psycho-Magic Actions for a World Gone Wrong"

one-night only performance

&
The legendary performance art group, La Pocha Nostra, headlines a truly one of a kind event taking place one night only at Human Resources, LA. Participating in the Los Angeles Premiere of La Pocha Nostra's newest work, "Corpo Insurrecto 3.0: The Robo Proletariat" will be members Erica Mott (Chicago), Roberto Sifuentes (Chicago) and Guillermo Gómez-Peña (San Francisco).

 

September 13: Sounds from Emerald Cocoon

Added on by Devin McNulty.


Emerald Cocoon presents...

9 PM 

Gate (NZ)

Sprawling guitar and electronic dirges from a member of legendary New Zealand free-rock hermits The Dead C. Incredibly rare LA performance not to be missed. "...The nod-out rhythms, the smudged, narcoleptic vocals, guitars that sound like they are being dragged behind slow-moving monster trucks, solos that barely escape the omnivorous gravity of fuzz and low grade tape hiss... chords dissolve into each other, leading to endless euphoric codas..." - Volcanic Tongue 

The Renderizors (NZ)

The more abstract alter-ego of NZ countrified psych legends The Renderers. The Renderizors juxtapose Maryrose Crook's forlorn underwater ballads against slippery clouds of raw electric string damage supplied by Brian Crook and a rotating cast of collaborators that have included members of Sandoz Lab Technicians, Bardo Pond, Metal Rouge and Pumice among others....

Peter Kolovos

Quite possibly the most singular voice in solo electric guitar music working today. "Kolovos plays the guitar with virtually nada in terms of pre-established technique. He slashes into awkward chords, he tears at the guts of the guitar, he unwinds sheets of metal feedback from it, all the while emphasizing its primary identity as a conductor of electricity." - Volcanic Tongue

Byron Westbrook's Interval/Habitat

Added on by Devin McNulty.

Interval/Habitat, Byron Westbrook

August 15 – 23, 2013, Human Resources L.A.

Performances: August 15, 7pm + August 18, 3pm + August 22, 7pm

Gallery Hours: 3 – 7pm August 16 – 23, Thurs-Sun, Wed-Fri

Memory can play as much of a role in the experience of a moment as the immediate elements that form the moment. The filmic “cut” is an increasingly present element in our lives, causing constant intervallic shifts in perceived environment and mental states. Interval/Habitat considers the idea of the interval as a quality of environment, sound, and time. By employing this idea of “cut” and transition from moment to moment, the exhibition hopes to explore how dramatic perceptual events can linger in memory, creating separate psychological transitions that affect our interaction with physical space as well as with each other. 

Byron Westbrook’s Interval/Habitat installation at Human Resources approaches the space as a dramatic stage. Inviting several guest performers and the audience to activate this stage, it plays looping sequences of light and sound to create “scenes” and filmic “cuts” to impose a time-based narrative form over all activity within the space. The piece approaches light and sound as physical, structural material to facilitate a changing awareness of self, body, space, and presence of others, defining social boundaries by limiting what visitors can see or hear, and dynamically shifting their focus between navigating internal psychological space and external physical space.

Interval/Habitat will be installed for two weeks at Human Resources with an accompanying series of performances, each of which offers focused examples of what may emerge from the imposition of Interval/Habitat’s dramatic structure on physical interaction, perception and communication.  

August 15, 7pm: 

Jules Gimbrone and ensemble /Alison D'Amato, Jos McKain and Jillian Stein / Jeff Witscher 

August 18, 3pm: 

Jesse Peterson and Cassia Streb / Sam Fisher and Gabriel Marantz / Maya Gingery and ensemble

August 22, 7pm: 

Casey Anderson and ensemble / Ted Byrnes, Ulrich Krieger and Wyatt Keusch/ Erin Schneider with Rose Mackey, Eirik Schmertmann, Elizabeth Sonenberg, and Jos McKain

August 23, gallery hours 3-7, closing reception 5pm with discussion 6pm

Byron Westbrook is an artist working with the dynamic quality of physical space through site-specific installations and unique listening formats to activate architecture and community. He has presented work at Clocktower Gallery, LMAK Projects, ISSUE Project Room, Diapason Gallery, ExitArt (NYC), ICA London, The LAB (San Francisco), VIVO MediaArtCenter (Vancouver), O’ (Milan). He has been an artist in residence at Clocktower Gallery, Wassaic Project, Diapason Gallery, Hotel Pupik, and Institute of Intermedia. He has worked closely with composer/filmmaker Phill Niblock’s Experimental Intermedia Foundation since 2005. He holds an MFA from the Milton Avery Graduate School of Arts at Bard College and lives and works in Brooklyn NY.

Sunday August 4th - Paul Pescador's "1-9" at Cinefamily

Added on by Devin McNulty.

Paul Pescador
1-9
Sunday, August 4, 2013
7pm

Cinefamily (hosted by Human Resources)
611 North Fairfax Ave, Los Angeles, CA 90036

Admission is free

 

Human Resources presents an off-site project, Paul Pescador's film 1-9 at Cinefamily in Los Angeles.

Over the course of three years, Pescador has created nine short experimental films. Each film focuses on the re-staging of personal and physical trauma through stop-motion animation of everyday household materials in domestic settings. For the first time, Pescador will screen all nine parts as a single full-length film. The various components explore different filmic genres: suspense, romance, comedy, musical, and family melodrama. Functioning like individual episodes, each film exists within its own autonomous narrative while building and responding to one another. 1-9 explores the relationship between numbers and social relationships: 1 stands for the individual, 2 is a couple, 3 is the smallest group, etc. Pescador uses different personal relationships as subject matter, from romantic partners to immediate family to casual strangers. The films explores awkward moments that occur when individuals interact with one another in a tone that is both humorous and melodramatic.   

Accompanying the screening is a publication which will include two interviews with Paul Pescador, one with Dilcia Barrera and one with Paul Soto.

Paul Pescador is a Los Angeles based artist and filmmaker. Recent exhibitions include solo projects at Anthony Greaney, Boston (May 2013), Vista Theater, Los Angeles (November 2012), ForYourArt, Los Angeles (June 2012), and Human Resources, Los Angeles (May 2011). He has been included in group show at Greene Exhibition (July 2013), Chapman University, CA (September 2012), LAXART, Los Angeles (September 2012), and Night Gallery, Los Angeles (February 2011). He obtained his BA in Cinema Studies from the University of Southern California in 2006 and his MFA in Studio Art from the University of California, Irvine in 2012.

 

Aug 1-2: Camille Mary Weiner's Now Open 24 Hours

Added on by Devin McNulty.
Now Open 24 Hours is a constellation of exhibitions curated and organized by Camille Mary Weiner.

 

Now Open 24 Hours lays a temporary claim on a site for performance events or situations and for the gathering of objects and elements. At times Now Open 24 Hours is: disorganized thoughts; hybrid forms; exchanging places; multiplicities of agency; fitting within the cracks of existing structures. Now Open 24 Hours was developed to not only consider the methodological shift of recognizing and expanding the audience for critical art, but to inspire enthusiasm about the idea of active participation in cultural events by our audience.

SAT July 27: SISTER ACTS - HRLA FUNDRAISER

Added on by Devin McNulty.

 

 

This event is free for members of HR. 

If you are not yet a member, a $25 donation gets you entrance and a membership! To join now, go to our support HRLA page make a donation today (names of all members will be at the door). Every donation matters as an affirmation of the importance of HRLA's place in the community. 


 

JULY 24: ReSound II

Added on by Devin McNulty.

Sound performances by:

Robert Crouch
Pinkcourtesyphone
Yann Novak
Steve Roden

$5 - $15 Sliding Scale

(of a sound) fill a place with sound; be loud enough to echo.
(of a place) be filled or echo with a particular sound or sounds.


Re:Sound II is the second installment of immersive sound performances at Human Resources organized by VOLUME. For Re:Sound II we welcome Pinkcourtesyphone for his first appearance in Los Angeles. Pinkcourtesyphone is the quirky alter ego of internationally renowned sound artist Richard Chartier who recently relocated to Los Angeles. Re:Sound II will also feature performances by Robert Crouch, Yann Novak and Steve Roden.

JULY 20, EL HOYO: NEW WORK FROM RAFA ESPARZA

Added on by Devin McNulty.


"el hoyo is a hole. a hole that sucks time."

In "el hoyo" Rafa Esparza engages with trash and discarded items, using el basurero/ the dumpster as a framing device wherein he negotiates his relationship to memory and time. 

The evening will move in three parts, with brief intermissions in between. "el hoyo" will begin outside of Human Resources and move through an installation inside the gallery with a participation by Nick Duran (http://nickduran.org/home.html) and "Beto" Esparza. 

July 20, 2013
Start time 7:30
(Early arrival is strongly suggested as the performances will begin promptly at 7:30pm.)

No cover charge, donations are welcome. 

Rafa Esparza lives and works in Los Angeles. His work ranges in medium from installation, sculpture to drawing, painting; and most predominantly live performance. Esparza is persistent in staging situations where he attempts to experience a time and space inaccessible to him. Using live performance as his main form of inquiry; site specificity, materiality, memory and (non)documentation become primary tools in interrogating, critiquing and examining ideologies, power structures and binaries that problematize the “survival” process of historicized narratives and the environments wherein people are left to navigate and socialize. Esparza has performed in a variety of spaces ranging from community engaged places such as AIDS Project Los Angeles, to galleries including Los Angeles Contemporary Exhibitions, Highways Performance Space, REDCAT, Human Resources, SOMArts and most recently public sites through out the city of L.A.

JULY 10, RON ATHEY, INCORRUPTIBLE FLESH, MESSIANIC REMAINS

Added on by Devin McNulty.

This performance is the fourth installation in the Incorruptible Flesh series. “Messianic Remains” extends Athey's exploration of the continuation of his own post-AIDS body. Previous installments were done in collaboration with the late Lawrence Steger, (who died of AIDS in 1999), and in the new millennium with London-based artist Dominic Johnson. Between 1996 and 2007, performances took place in Glasgow, Chelsea Theatre in London, and at the funerals of Leigh Bowery in New York and Amsterdam. As in earlier works in the series, Athey rides the grandiose myth of enlightenment that only the face of death may reveal. 

Tickets: $20 suggested donation. Performance starts at 9:00. Facebook event page.

This event was made possible by UC Riverside's Queer Lab

July 14, 2PM - at Redcat, as a part of Outfest, Ron Athey will introduce his book, Pleading in the Blood. Free admission.  

JULY, ALL ABOUT PERFORMANCE!

Added on by Devin McNulty.

 

WED JULY 3 - MUSIC / LOGREYBEAM tour kickoff with CESSATION + MOOMAW + TELECAVES + PATHWAYS

SAT JULY 6 - CONVERSATION / CONSIDERING SHEREE ROSE & MARTIN O'BRIAN'S PERFORMANCE (email info@humanresourcesla.com for location!) / 2PM-4PM

TUE JULY 9 - ART/LIFE COUNSELING SESSIONS w/ LINDA MONTANO / 1PM-3PM  (email info@humanresourcesla.com for location and information, VERY limited spaces) 

WED JULY 10 - PERFORMANCE / RON ATHEY / 9PM / ($20 - complimentary ticket w/ $50 donation to HRLA!)

THU JULY 11 - KEVIN GREENSPON + REIGHNBEAU + clipping + PEDESTRIAN DEPOSIT

SAT JULY 20 - PERFORMANCE / RAFA ESPARZA 

WED JULY 24 - SOUND, MUSIC, NOISE / ROBERT CROUCH, PINKCOURTESYPHONE, YANN NOVAK, STEVE RODEN / 8PM-11PM ($5-$15 sliding scale)

SAT JULY 27 - HRLA BENEFIT (coincides with PERFORM CHINATOWN)

Stay tuned for a Performance Studies scholarship workshop, discussion of Ron Athey's performance... 

JUNE 28: GUL BARA & GHOST TREES & SKYLINE ELECTRIC

Added on by Devin McNulty.

$5 donation please
a special show in the intimate upstairs...AC will be cranking

9:15 - Ted Byrnes and Casey Anderson
10 - GUL BARA
11 - GHOST TREES
12 - SKYLINE ELECTRIC

GHOST TREES - http://ghost-trees.bandcamp.com/

GUL BARA - .Gul Bara (two familiar members of the Stunned family: Warm Climate's very own Seth Kasselman & Caitlin C. Mitchell) is essentially an off-hours WC, cigarettes lit on the midnight prowl with dented horns and blackened drums. A true inversion of band dynamics, the duo takes passage through five dank alleys in their own unexpected and mesmerizing way. More evidence that whether it's disorienting drones or tight rock tunes, the members of Gul Bara ceaselessly push any and all limits aside.

Ted Byrnes and Casey Anderson will play improvised duets between percussion and saxophone, respectively
http://www.tedbyrnesdrums.com/
http://www.caseyanderson.com/

SKYLINE ELECTRIC is a mass of limbs and voices... a joyous and harrowing experience


Monte Cristo

Added on by Devin McNulty.

Math Bass and Leidy Churchman

Curated by Chiara Giovando

Opens Thursday, May 30, - June 30, 2013, Reception May 30, 7 - 9 pm

Saturday, June 15, Conversation with Mass Bass and Jennifer Doyle in the gallery, 3-4:30pm

Hours: Thurs - Sat 12 - 5 pm, or by appointment, chiara@humanresources.ocom

Life, death, and leisure.

Monte Cristo is a sandwich, an adventure novel and most evidently a small island off the coast of Tuscany.

As an island, Monte Cristo has a particularly disastrous history: ancient home to hermits and monks later enslaved by pirates, overrun by black rats, bombed with poison pellets and now only a spare population of two inhabit this desolate rock. Attempted colonizers desperately imposed blind optimism upon this steep and slippery rock, their mistakes had nowhere to go but into the sea. Artists Math Bass and Leidy Churchman have used Monte Cristo as a kind of mantra, an unattainable island populated by only two souls, here working together. 

Monte Cristo is also most simply a frame… as an island is a frame.

Both working with the mediums of painting and video, Bass and Churchman’s practices uses the compositional space of the frame to abstract reality; reducing content like a plinth, a human limb, a used plastic bottel or dirty sock to pure shape and color. By employing the ever-effective cinematic move of reveal, Monte Cristo pushes past the edges of one frame into the next—the exhibition itself—to re-forge coherent symbols.

Bass’ new sculptures are concerned with formlessness, activating found objects and constructed materials in a series of works that play with ideas of set and scene. Connected to her performance practice and recent work Brutal Set (2012), She approaches sculpture as a site of potential action.

Churchman’s recent video work and painting revel in the slow reveal. Steadily shifting landscapes, both actual and constructed are inter-cut to produce video that points to his painting practice.  For Churchman, recognizable symbols rendered with brush in hand can transcend a flattened sign, the slow reveal of meaning as emotion leaks off canvas over prolonged observation.

Brought together for the month of May by Human Resources L.A., Bass (Los Angeles) and Churchman (New York City) have been commissioned to produce new works in tandem, this confluence a celebration of their long friendship. 

 

Math Bass is an interdisciplinary artist who lives and works in Los Angeles. She has performed, screened and exhibited at The Hammer Museum, Los Angeles, CA, Human Resources, Los Angeles, CA, Overduin and Kite, Los Angeles, CA, 2nd Floor Projects, San Francisco, CA, Montehermoso Cultural Centre, Vitoria-Gasteiz, Spain, Yerba Buena Center for the Arts, San Francisco, CA, Leo Koening Inc. Projekte, NYC, Nikolaj Contemporary Art Center, Copenhagen, Denmark, Artist Production Fund, NYC, Art in General, NYC, REDCAT Theatre Los Angeles, CA, Anthology film Archives, NYC, National Center for Contemporary Art, Moscow, Russia, Or Gallery, Vancouver, BC, Participant inc. NYC, among others. She received her MFA from UCLA in 2011 and her BA from Hampshire College in 2003.

Leidy Churchman is painter who lives and works in New York City. He has shown his work at Silberkuppe Gallery, Berlin, Gallery Crevecoeur, Paris, The Stroom, Den Haag, Annet Gelink Gallery, Amsterdam, CDA Projects and Gallery Zilberman, Istanbul, Museum of Art at Rhode Island Museum of Design, MoMA Ps1, Long Island City, NY, The Nerman Museum, Kansas, Robert Miller Gallery, NYC,  American Contemporary, NYC, Nicole Klagsbrun, NYC, Leo Koenig Projekt, NYC, and Horton Gallery, NYC, among others.  He received his MFA from Columbia University in 2010, and his BA from Hampshire College in 2002. From 2011-2012 he was a two year resident artist at Rijksakademie in Amsterdam, The Netherlands. His work has been reviewed in The New York Times, Art Forum, Frieze d/e, Art in America, and Vogue Paris.

Chiara Giovando is Co-director of Human Resources L.A., she is an artist and independent curator working and living in Los Angeles CA. She has produced for REDCAT Gallery, Los Angeles, Tate Modern, London, Whitney Museum, and NYC. She has curated at Mountain Fold, NYC, Southern Exposure, San Francisco, The LAB, and The Luggage Store Gallery and was a Director of High Zero Festival in Baltimore. She was 2012 Curator in Residence with René Block and will mount an exhibition in June 2013 at Kunsthal 44 Møen, Denmark.

 

 

Saturday June 8: Screening 8pm

Added on by Devin McNulty.

robbinschilds: I came here on my own 


SCREENING - 8PM
I came here on my own is robbinschilds’ current video and performance work. The diptych video, depicts two simultaneous, mirrored but separate journeys. The characters begin atop snowy alpine peaks and through choreographed and edited sequences descend into lower temperate lands.  Robbins' character shows one journey, Childs’ the other; Their respective pathways are filmed as mirror images of one another yet each remains alone in her solo experience. The work including live performance and a double diptych video installation premiered at Art in General in September 2012 as part of their New Commisions program. robbinschilds received generous funding from Art Matters and the MAP Fund in support of the filming, editing and live development of I came here on my own

While questioning gender, landscape and national identity during a 2009 residency robbinschilds encountered New Zealand’s archetypal ‘Man Alone’ trope. The ‘Man Alone’, leaving behind his former home and culture, experiences estrangement in his new land and appears as a recurring theme in NZ’s 
literature and art over the last century. The artists intend to reframe the ‘Man Alone’ concept from a female focused perspective with the depiction of two simultaneous but individual experiences of “Woman Alone”. In this feminist reworking, robbinschilds subverts such archetypal “male” characteristics as man in nature, the lone traveler and the questing hero. I came here on my own is robbinschilds’ current video and performance work.